The Woman in Black, her terrifying ghost story, is still running as a play in the West End and is now a successful film.
I spun round and shone my torch behind me, for the windows had ended here and the corridor was pitch dark. There was no one. I went quietly back a few yards, stopped and waited, straining my ears through the silence. Perhaps the wood settled every now and again, perhaps a board creaked.
Perhaps they did not.
Do you want to read more? Well then, read on The sensation of being watched was stronger and now my nerves were on edge and I cursed myself for a fool, not to have remained in my bed, where I would surely by now have been peacefully asleep.
But my curiosity grew, for I was eager to examine the library, where I planned to be working for the next few days, and beginning to be fascinated by the grave, venerable beauty of this ancient place.
I found myself in a room that stretched far ahead of me into the gloom. But there was enough of the soft, snow-reflected light coming in through the tall windows for me to have a view of a gallery, that ran the whole way around, rising towards the vaulted and elaborately carved ceiling.
I felt no fear, but rather a sense of awe, as if I had entered some church or chapel. Oak bookcases were lined on either side of the central aisle, with desks set in the spaces between, and as I looked up I could see more book stacks that rose behind the gallery, up to which iron spiral staircases led at intervals.
But who is our narrator? And why is he so unsettled? The themes of a ghostly presence and a haunted house, are commonplaces of atmospheric writing from the 19th century. A musty old house, an edgy young man as narrator, overly subject to nervous anxiety, and gradually succumbing to his paranoia as he chases shadows through an old university library.
Where have we seen this before?
A recent film is popular too, and since then Susan Hill has established a tradition for herself of writing a ghost story every Christmas, much as M. And as we continue, the writing could come straight from one of his own short stories: The gallery was dark, high and narrow, with only a foot or two of passage between the bookstacks, and the wooden rail.
I switched off my torch. The air up here was colder, but at the same time oddly dead, and close, as though the dust of years, the dust of books and learning and thought, was packed tightly, excluding any freshness.
The soft breathing came again, from a different place, in the darkness just ahead of me and I began to edge forwards, and then to stop, move and stop, but it was always just out of reach. I looked down into the great barrel of the room below.
Every shadow seemed like a crouched, huddled figure, every corner concealed some dreadful shape. There was no one there.
I wanted to run but could not and knew that this was what was intended, that I should be terrified by nothing, by my own fears, by soft breathing, by the creak of a board, by the very atmosphere which threatened me.
The author, Susan Hill, aims to chill rather than horrify; to intrigue and mystify rather than scare. She is a supreme manipulator, lulling us into a false sense of security with cosy and comforting descriptions, such as: The novel begins with a preface to this manuscript, before Sir James Monmouth tells his own story.Jim and Susan Hill of Calgary, Alberta, Canada have formed a new partnership with Margaux Farm principals Dr.
Joseph Fowler and his wife, Lynn, and Steve . The Susan Hill School of Dancing was established in Our dance school and studio are based in Radstock, seven miles south of Bath.
We cover the Radstock, Midsomer Norton, Timsbury, Paulton, Farrington Gurney, Chilcompton, Stratton on the Fosse, Beckington, Faulkland, Peasedown St John, Wellow and surrounding areas. Susan Hill tells us of a relationship that Hilliard and his sister used to share with one another, a relationship of which meant they could rely on one another for anything.
However, after being exposed to the war, the effects it can have on a . Susan Hill exploits the form of the novel in ‘Strange Meeting’ to present a more moving ad sensitive depiction of the corruption of youth than R.
C. Sheriff’s portrayal of this . Susan Hill exploits the form of the novel in ‘Strange Meeting’ to present a more moving ad sensitive depiction of the corruption of youth than R.C.
Sheriff’s portrayal of this within his dramatic text ‘Journey’s End’. How far do you agree? We will write a custom essay sample on “I am the king of the Castle” by Susan Hill however he is willing to hurt people to get what he wants and Kingshaw is not an aspect of him that Hooper exploits.
The use of ‘flail’ is indicative of blows intended to reach their target but never meeting the mark. Hooper is delighted at all.